SOUND KITS
200 Vintage Drum Machine Sound Kit
$19.99
ATTENTION PRODUCERS!
This sound kit contains original samples from Classic drums machines such as the Legendary Linn Drum, TR-808, Emu-SP12, Akai MPC60 and more.
A must have for any producer or beatmaker who wants to expand their sound library with high quality vintage drum sounds. We all know that the heart of Hip-hop and R&B is the drums so don't pass on this great deal. All the sounds are in WAV format and will work with any sampler or daw.
Protools, Logic, Cubase, Studio One, Ableton, FL Studio, Sonar, Reason and more.
This is over $3000 worth of original drum sounds so how can you pass on this deal?
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The LinnDrum (also called the Linn LM-2) is a drum machine manufactured by Linn Electronics as the successor to the Linn LM-1. It was introduced in 1982 at a list price of $2,995. Approximately 5,000 units were sold between 1982 and 1985.[1][2] The Linn 9000 was the successor of the LinnDrum.
Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined.[2] Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as a-Ha's "Take on Me" and Tears for Fears' "Shout."
The Roland TR-808 Rhythm Composer (a.k.a. the "808") was one of the first programmable drum machines ("TR" standing for TransistorRhythm). Introduced by the Roland Corporation in the early 1980s, it was originally manufactured for use as a tool for studio musicians to create demos. Like earlier Roland drum machines, it does not sound very much like a real drum kit. However, the TR-808 cost US$1,195 upon its release, which was considerably more affordable than digital sampling machines such as the US$5,000 Linn LM-1.
The Akai MPC60 ("MIDI Production Center 60") is an electronic musical instrument produced in 1988, by the Japanese company Akai in collaboration with designer Roger Linn.[1]
It combined MIDI sequencing and audio sampling with a set of velocity/aftertouch-sensitive performance pads, to produce an instrument optimized for use as a drum machine. The MPC60 enjoyed great popularity, particularly among musicians producing hip hop and similar styles.
E-mu SP-1200 is a sampler, released in August 1987 by E-mu Systems, Inc..
Like the product it was meant to replace, the SP-12, the SP-1200's intended use was as a drum machine and sequencer for dance music producers. However, its use as a phrase sampler produces a "gritty" sound due to the machine's 26.04Â kHz sampling rate (roughly half the fidelity of a compact disc), its SSM2044 filter chips and its 12-bit sampling resolution. This distinctive sound, often said to capture the "warmth" of vinyl recordings,[1] has sustained demand for the SP-1200 more than twenty years after its discontinuation, despite the introduction of digital audio workstations and samplers/sequencers with far superior technical specifications, such as the Akai MPC.
The SP-1200 is strongly associated with hip hop's golden age. Its ability to construct the bulk of a song within one piece of portable gear, a first for the industry, reduced studio costs and increased creative control for hip-hop artists. In 2007, Ben Detrick explained, "The machine rose to such prominence that its strengths and weaknesses sculpted an entire era of music: the crunchy digitized drums, choppy segmented samples, and murky filtered basslines that characterize the vintage New York sound are all mechanisms of the machine."[2]
The ASR-X Pro Resampling Production Studio. An enhanced update to the ASR-X, the ASR-X Pro is a sampling, synthesizer, sequencer and effects studio in a single tabletop unit. For a machine that's competing with the Akai MPC3000, the ASR-X Pro is a worthy opponent. It's got professional sampler specifications, and easy yet professional sample editing features. Process your samples with modern edit functions including copying, truncating, reduce bits, scaling, normalizing and inverting. It has enough built-in effects to sweeten your samples with: EQ, Reverb, Chorus, Flanger, DDL, Distortion, Tunable Speaker, Chatter Box, Vocal Morph, and Auto-Wah. Sequencing is also easy and hands-on. Microscopic Tempo control and resolution allow for punchy groovy sequences with plenty of feel and note capacity. There are also independent dual multi-mode dynamic digital filters with low-pass, high-pass, variable bandwidth band-pass, resonant low-pass and resonant band-pass.
